Category: Music

Spring U.S. Tour Kicks Off February 20th

LOS ANGELES, CA, UNITED STATES, January 30, 2026 /EINPresswire.com/ — Southern California rockers Robert Jon & The Wreck return with their latest single, “Put Your Money Where Your Mouth Is,” out now on all major streaming platforms. The track arrives as the band prepares to hit the road for their Spring 2026 U.S. tour, offering a hard-hitting statement that underscores the urgency, resolve, and fire that have defined their recent run.

STREAM “Put Your Money Where Your Mouth Is”. WATCH the Official Music Video. ORDER the latest studio album Heartbreaks & Last Goodbyes.

Written with a directness that leaves no room for half-measures, “Put Your Money Where Your Mouth Is” calls out talk without follow-through and the gap between what people say and what they actually do. It’s a straight-ahead, no-frills rocker that cuts through the noise, pushing the idea that intention only matters once it’s backed by action. From the opening blast, the song wastes no time setting its tone – loud, direct, and unapologetic.

As guitarist Henry James explains, the track comes from years of living inside the grind of the music world, where belief and commitment get tested constantly. Lines like “You say you’re ready, but you’re still standing still” and “If you want it bad enough, prove it now” land like a challenge, reflecting a mindset shaped by the road, the work, and the moments where talk stops meaning anything without effort behind it. “As we get more invested in the business, politics, and hustle of this life, it can become difficult to feel connected to the initial pureness and excitement of playing music that made us fall in love with it as children and teenagers,” James shares.

“Put Your Money Where Your Mouth Is” follows the release of Robert Jon & The Wreck’s acclaimed studio album Heartbreaks & Last Goodbyes, produced by Grammy-winner Dave Cobb and mixed by Greg Gordon (Chris Stapleton, Sturgill Simpson). The album has drawn widespread praise for its emotional range and muscular songwriting, with Classic Rock Magazine calling it “their most accomplished work to date” and Rock & Blues Muse hailing it as “a true testament to their ability to capture the human experience through music.”

Since forming in 2011, Robert Jon & The Wreck – Robert Jon Burrison (vocals, guitar), Henry James (lead guitar, vocals), Andrew Espantman (drums, vocals), Warren Murrel (bass), and Jake Abernathie (keys) – have earned a global following by pairing sharp, story-driven songwriting with a road-tested live show that thrives on chemistry and intensity. Recent months have seen the band release a steady run of singles, join Samantha Fish for a high-profile West Coast tour, and expand their reach across festivals and headline dates alike.

With “Put Your Money Where Your Mouth Is” now out in the world, the band turns its attention fully to the upcoming Spring U.S. tour, which launches February 20 in Bonita Springs, Florida. The run stretches through the Southeast, Midwest, and Plains, including shows with special guest Sam Morrow and select dates opening for the Eric Gales Band, before wrapping in April with major appearances at Hogs For A Cause and Sound Wave Beach Weekend.

For more information and to purchase tickets, please visit www.robertjonandthewreck.com/tour

SPRING U.S. TOUR DATES
February 20 – Bonita Springs, FL – Arts Bonita
February 21 – Gainesville, FL – Heartwood Soundstage
February 22 – Orlando, FL – Alexis & Jim Pugh Theater
February 23-27 – Fort Lauderdale, FL – Rock Legends Cruise
February 27 – Ponte Vedra, FL – Ponte Vedra Concert Hall
March 1 – West Palm Beach, FL – Kravis Center
March 3 – Charleston, SC – Charleston Pour House
March 4 – Athens, GA – 40 Watt Club*
March 5 – Charlotte, NC – Neighborhood Theatre*
March 6 – Winston-Salem, NC – The Ramkat**
March 7 – Asheville, NC – Diana Wortham Theatre*
March 8 – Franklin, TN – The Franklin Theatre
March 10 – Louisville, KY – Mercury Ballroom*
March 11 – Chicago, IL – Chop Shop*
March 12 – St. Louis, MO – The Sovereign*
March 13 – Kansas City, MO – Knuckleheads*
March 14 – Oklahoma City, OK – Beer City Music Hall*
March 15 – Dallas, TX – The Kessler Theater
April 10, 2026 – New Orleans, LA – Hogs For A Cause
April 11, 2026 – Miramar Beach, FL – Sound Wave Beach Weekend (Sold Out)

* with special guest Sam Morrow
** opening for Eric Gales Band

SPRING EUROPE TOUR DATES
April 14 – Herne Bay, UK – The King’s Hall
April 15 – Newcastle, UK – Wylam Brewery
April 16 – Manchester, UK – Academy 2
April 17 – Glasgow, UK – Glasgow Garage
April 18 – London, UK – O2 Shepherds Bush Empire
April 19 – Southampton UK – The Brook
April 22 – Paris, FR – Alhambra
April 23 – Bilbao, ES – Kafe Antzokia
April 24 – Madrid, ES – Sala But
April 25 – Jerez de la Frontera, ES – La Bodega Skate Center
April 26 – Málaga, ES – La Trinchera
April 28 – Valencia, ES – Sala Moon
April 29 – Barcelona,ES – Razzmatazz 2
April 30 – Riotord, FR – Climax Club Legend
May 1 – Bensheim, DE – Musiktheater Rex
May 2 – Winterbach, DE – Lehenbachhale
May 3 – Regensburg (Burglengenfield), DE – VAZ Pfarrheim
May 5 – Berlin, DE – Columbia Theater
May 6 – Bonn, DE – Harmonie
May 7 – Amsterdam, NL – Melkweg
May 8 – Arnhem, NL – Luxor Live
May 9 – Brussels BE – Ancienne Belgique
May 16 – Maryville, TN – The Shed supporting Blackberry Smoke (Sold Out)

June 19 – Ferndown, UK – Love Rocks Festival
June 20 – Grolloo, NL – Holland International Blues Festival

August 29-September 1 – Long Beach, CA – Cali-County Cruise 2026

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About Journeyman Records
Journeyman, the newest endeavor between Joe Bonamassa and his long-time manager Roy Weisman, is a vertically integrated music management, concert promotion, and marketing company that builds awareness for great live artists worldwide. After years of perfecting strategies, while building Joe Bonamassa’s career, the company will utilize the same savvy tactics that allowed them to overcome industry barriers that typically held back artists from achieving success. Journeyman provides the infrastructure to take an artist from its infancy, to record music and tour without dealing with the typical resistance of “gatekeepers” who don’t believe in or support emerging acts. Bonamassa has been keen on using his experience to pay it forward to help other artists navigate the murky industry waters. Consequently, Journeyman sets itself apart in this way as being the true market maker for their artists.

For more information on Robert Jon & The Wreck, please contact Jon Bleicher at Prospect PR [jon@prospectpr.com, 973.330.1711]

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Album highlights span the Alaskan-inspired “Radio Warning,” the soaring “Simply Avanti,” while “Mourning Light” and “Birdsong” deepens the LP’s emotional arc.

BOULDER, CO, UNITED STATES, January 30, 2026 /EINPresswire.com/ — MYND READER doesn’t enter a room quietly. They step in like they already know the story, the pitfalls, and the clichés of rock and still choose a sharper path. Their full-length, self-titled debut album out today isn’t an introduction so much as a declaration. There are no retro affectations or gimmicks here, just rock that feels lived in, music that breathes, sweats, and pauses long enough to take stock of the year, the damage, and the truth. In a culture built on singles and scrolls, MYND READER insists on the power of the full album experience.

At its core, MYND READER is the convergence of decades of musicianship and hard-earned clarity. The band is led by Brian Sachs, a veteran of the ’90s jam-band scene and former drummer of the Bill Graham–managed NYC outfit The Authority, who once tore through rooms like Wetlands alongside Phish, Blues Traveler, and Dave Matthews Band. After the loss of legendary promoter Graham and the eventual dissolution of The Authority, Sachs never stopped creating. He simply went inward. That inward turn eventually reconnected him with longtime collaborator and Boulder musician Tonin, whose melodic instincts and genre-blurring production approach became the sonic framework for MYND READER.

The missing element arrived with vocalist and guitarist Shelby Kemp. His voice–part Southern rasp and part raw confession–hits before the brain can catch up, making each song land squarely in the chest. “When Shelby stepped in, suddenly the songs had a soul,” Sachs says. “The music stopped being conceptual and started breathing.” Live, the project expands into a five-piece with bassist Zach Jackson and keyboardist Chris Spies, translating the album’s layered arrangements into a high-energy, road-ready performance.

The concept album unfolds as a ten-track emotional arc, tracing a path from collapse to clarity. Rooted in spiritual reckoning, loss, and renewal, the album draws from Sachs’ own period of profound upheaval including grief, divorce, relocation, and reinvention. “These songs were born from a time when everything fell apart,” he explains. “I wanted the record to feel like a hand reaching out in the dark.” The result is a body of work that feels less like a collection of songs and more like a guided passage, moving from rupture to release and reorientation.

The tone is set immediately with the opening track, “Radio Warning” Anxious but warm and apocalyptic in a practical, not theatrical sense, the song hums with inevitability. Kemp delivers lines like “It’s been months since my skin felt sunlight” and “There ain’t no joy in living a lifetime alone” as if they surfaced unexpectedly at 2 a.m. Drums push forward without suffocating the groove, guitars smolder, and hope flickers stubbornly beneath the exhaustion.

At the center of the album stands the new radio single “Home,” a soaring, stadium-sized ode to belonging. Mixed by seven-time GRAMMY^® Award–winning engineer Michael Brauer (The Rolling Stones, Coldplay, My Morning Jacket, John Mayer), the track captures the heart of classic rock and sets it ablaze with modern electricity. Thumping percussion and blues-tinted guitars weave around meandering keys, all supporting Kemp’s gospel-tinged vocal as he pleads, “Give me more life, please / More life.” The track is classy, intense, and emotionally unguarded.

“This one’s about the magnetic pull of that place you belong, whether it’s a person, a town, or a song,” Kemp says. “For us, it’s rock and roll. It’s home.” The band has gained early radio traction with the single, earning spins on more than 20 iHeartRadio stations. The accompanying music video, shot in and around Boulder, Colorado, expands on that theme through a nostalgic, cinematic lens, following a young dreamer chasing a rock-and-roll calling amid mountain backdrops and time-capsule interiors.

Elsewhere, “Simply Avanti” turns inward, meditating on time, change, and the constant hum of information. Its mantra, “In time we are free, free to be who we are,” lands like quiet self-talk, a grounding ritual amid the noise. “Leaving Our Lives” and “Falling Down” carry emotional weight without melodrama, while “Oslo” feels like driving through a city you’ve never visited but somehow recognize. “Mourning Light,” which is a Top 100 on the Mediabase Triple A charts, inhabits the space between grief and acceptance, letting silence do as much work as sound. Even the self-titled track mirrors the band itself: messy, thoughtful, and deeply human.

Brauer’s unmistakable analog warmth shapes the album’s cinematic depth. “He doesn’t mix safe,” Sachs notes. “He pushes things out of balance to tell the emotional truth. The quiet moments are quieter, and the explosions really explode.” The result is a record built on vulnerability and fire, balancing restraint with release.

With hundreds of thousands of streams and a growing slate of television and radio appearances both in Colorado and beyond, MYND READER has steadily built anticipation and momentum. This week and next, the band will be featured on Denver’s KBCO-FM (97.3), Fort Collins’ KRFC-FM (88.9), NBC’s 9News Denver (KUSA-TV), FOX31 Denver (KDVR-TV), and FOX21 Colorado Springs (KXRM-TV), alongside coverage from national and international outlets including Paste, SPIN, LA Weekly, and Rolling Stone UK. Yet reinvention is not the band’s aim. Their ambition is more enduring: to remind listeners why rock still matters when it is honest, collaborative, and unafraid of emotional depth. For fans, the new album offers a soundtrack for long drives, late nights, and moments of quiet recalibration, driven not by algorithms but by instinct, connection, and the unmistakable feeling of something real and alive.

That rise is now fully realized with the album’s release. Get the new record digitally and vinyl at www.MyndReaderMusic.com, as well as on all major streaming platforms. The band’s album release show at Paradise Found Records & Music in Boulder tonight has officially sold out, with a waitlist available through the band’s website. Denver and Front Range audiences can catch MYND READER live next on March 7 at Cervantes’ Other Side.

Nathalie Baret
Win-Win PR & Artist Management
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Mixed by seven-time GRAMMY® Award–winning engineer Michael Brauer, the anthemic song “Home” has already received spins across more than 20 iHeart stations.

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Accra-born, Netherlands-based artist blends rap and melody to deliver a reflective, emotionally rich release for global audiences.

FLAVIADONK, ROOSENDAAL, NETHERLANDS, January 30, 2026 /EINPresswire.com/ — The versatile Afrobeats and R&B artist TunezChale, who is renowned for skilfully combining rap with melodic storytelling, has officially released his most recent track, “Saved,” which is now accessible on all major streaming services. “Saved” portrays the discoveries that result from solitude and reflection while reflecting on the profound path of self-discovery and human development.

The song allows listeners to think while connecting with a broadly relatable theme of understanding oneself and progressing through life’s hardships thanks to its soothing rhythms, expressive vocals, and peaceful tone.
“Saved,” which was inspired by TunezChale’s own experience of taking a break from the cacophony of daily living, explores the significance of understanding who you’re actually before looking to the outside world for approval. Over a soundtrack that combines soulful R&B textures with contemporary Afrobeats energy, the song’s lyrics accurately represent growth, resiliency, and the quiet strength found in times of solitude.

TunezChale, who was born in Accra, Ghana, as Michael Kisseh, relocated to the Netherlands in 2019 in an effort to fulfil a long-time love of music. He developed a natural sense of rhythm and performance while playing the drums in church as a teenager and participating in school performances.

TunezChale built his own recording system because he was determined to stay independent and creative despite the difficulties of working overseas. This allowed him to continuously release music that was motivated by authenticity and self-expression. His moniker as an artist embodies his philosophy: “Chale,” a Ghanaian word for “friend” or “pal,” signifies a connection with fans worldwide, while “Tunez” denotes his independence from being restricted to a single genre.

TunezChale has consistently produced music that transcends nations, genres, and emotions since the release of his debut single, “Time No Dey,” on June 1, 2021, steadily expanding his global fan base.

“‘Saved’ is about taking time away from everything to really understand who you are,” says TunezChale. “When you sit with yourself in silence, you start to see life differently, and that’s the feeling I wanted to share through this song.”

Saved is available on all major streaming platforms, including Spotify, Apple Music, iTunes, Amazon music, Tidal, Deezer, Anghami, Pandora, and YouTube Music.

About TunezChale
Afrobeats and R&B musician TunezChale, who was born in Ghana and now based in the Netherlands, is well-known for fusing rap, melodic vocals, and versatile production to create a sound that represents both contemporary global influences and cultural roots. He continues to create music that emotionally connects people all over the world via honesty, adaptability, and artistic development because he is passionate about creative independence and narrative.

Michael Kisseh
TunezChale
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Ron Trent to celebrate during GRAMMY® Week with a Secret Show on the Eve of the GRAMMYs®. Tickets available now!

LOS ANGELES, CA, UNITED STATES, January 29, 2026 /EINPresswire.com/ — Internationally acclaimed Producer and DJ Ron Trent enters the spotlight courtesy of the Recording Academy with his first ever GRAMMY^® nomination in Best Remixed Recording. The Massachusetts born and Chicago bred champion for Soulful Dance Music from its earliest days infused his remix of Soul II Soul’s “A Dreams A Dream” with lush soulful sensibilities which transformed the Top 5 Billboard Dance smash from 1990 for dance floors in 2025 earning instant acclaim from his peers since its initial release last summer. “A Dreams A Dream (Ron Trent Remix)” is now available on streaming platforms.

“Remixing one of my favorite groups of all time, Soul II Soul, with masterful production of Jazzie B, regal vocals of Victoria Wilson James with my touch on it, and getting nominated for a GRAMMY^®…that’s phenomenal, historical, and a dream becoming a reality.”
– DJ Ron Trent, GRAMMY^® nominated Producer

Trent who recently returned to international touring after a self-imposed hiatus with shows from Amsterdam to Tokyo will be casting his spell on the road in the U.S. with appearances during the Giant Step 35.5th Anniversary in Brooklyn, NY (Elsewhere 1/11), Chicago (Smartbar 1/17), and in Los Angeles featuring Rochelle Jordan and DAM Funk at a secret location on January 31st on the eve of the GRAMMY^® Sunday. Details available HERE.

Road To The GRAMMYs^®
The road to the GRAMMYs^® began in early 2025 when Ron Trent, internationally recognized from his early DJ career in Chicago as a House Music pioneer, was invited by British hitmakers Soul II Soul’s Creative Director Dean Zepherin to remix a track of his choice from their catalog. A fan of their material from their debut in 1989 – Trent settled on reworking “A Dreams A Dream,” the original itself a dance floor smash peaking at #3 on the Billboard Club Chart in 1990. Trent enlisted frequent collaborator Dorian Cheah to add live strings which served to elevate the interplay between rhythm and vocals.

“…This was about bringing together two unwavering spirits and powerhouses who both stand in their authenticity and live and breathe their music. Ron chose “A Dreams A Dream” and it couldn’t have been a better fit. His musicality. His connection to the dance floor. The detail that he puts into everything has been impactful and I’m proud that this union has reached such an esteemed recognition.”
– Dean Zepherin, Creative Director Soul II Soul

The remix, at first available exclusively on vinyl, was feverishly embraced selling out twice before being made available online.

“Ron Trent gave us a class production on the remix duties for this Soul II Soul gem, tastefully done and one of this year’s favorites for me!”
Louie Vega
GRAMMY^® winner, 7x Nominee

“My jaw literally hit the floor” exclaimed Victoria Wilson James sharing her initial reaction to the mix incorporating her original vocals. “The chord progressions, the production are just stellar. It’s AMAZING after all these years that Ron Trent has kept up the innovation and elevated “A Dreams A Dream” for a whole new generation.”

“an enhancement by DJ Ron Trent deserves nothing less than a GRAMMY^® nomination, for real.”
Jazzie B, Founder Soul II Soul

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“A Dreams A Dream (Ron Trent Remix)”

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Worship Road, the force behind Worship Road Radio & Breakout Magazine, partnered with FrontGate Media for representation across its rapidly growing platforms

ORANGE COUNTY, CA, UNITED STATES, January 29, 2026 /EINPresswire.com/ — Worship Road Media, the new media driving force behind Worship Road Radio and Breakout Magazine, has partnered with leading faith-based marketing agency FrontGate Media to represent sponsorships and advertising across its rapidly growing platforms in the United States, Canada, and beyond.

As North America’s fastest-growing Christian digital radio station, Worship Road Radio offers a revolutionary format: 24/7 interruption-free Christian music reaching a global audience through mobile apps, smart speakers, and digital radio platforms. Breakout Magazine, its recently launched interactive publication, spotlights emerging Christian artists, worship leaders, and the stories behind the music, expanding Worship Road’s reach into cultural engagement.

Worship Road Radio: Redefining Christian Broadcasting for a New Generation

Launched in 2024, Worship Road Radio has quickly emerged as a transformative voice in Christian broadcasting. Operating as a non-profit under the Worship Road Radio Foundation and based in Vancouver Canada, the station offers a truly unique listening experience—free from ads, fundraising sharathons, and sermons. At the heart of its mission is a broadened, deeply personal definition of worship music: any music that inspires listeners to worship our Lord.

This inclusive approach allows for a rich, diverse playlist that spans genres and styles while staying grounded in a spirit of reverence and praise. With a weekly rotation featuring over 300% more songs than conventional Christian radio, Worship Road Radio directly addresses listener fatigue from regular fundraising programming and repetitive playlists and champions emerging and independent artists who are often overlooked by mainstream formats.

The station’s innovative digital ecosystem enhances listener engagement by offering multiple access points for its studio-quality 24/7 live stream. Listeners can tune in via their free app on smartphones, tablets, laptops, radio aggregators like TuneIn and Radio.net, or smart speakers by simply saying, “Alexa, play Worship Road Radio.”

Breakout Magazine: The Interactive Platform Introducing the Future of Christian Music
Breakout Magazine is not just a publication—it’s a first-of-its-kind interactive experience designed to connect Christian music fans with the next generation of Christian artists, worship leaders, singer-songwriters, and faith-based creatives.

Breakout is pioneering a new way to discover and engage with emerging Christian artists—through a seamless blend of written stories, embedded music tracks, music videos, and personal interviews that reveal the artist’s heart, testimony, and passion for ministry.

Every feature is fully immersive—readers can: 1. meet the artist through authentic written profiles; 2. listen to their music directly within the article; 3. watch their music videos and behind-the-scenes content; and hear from them personally in exclusive video interviews

Available 24/7 on any digital device—and also offered in beautiful collectible print editions—Breakout is designed to go wherever your audience goes, making music discovery a personal and spiritual experience.

Sponsor opportunities with Breakout Magazine include high-visibility brand alignment through interactive artist features, digital and print exposure, and multi-platform campaigns that connect your message with passionate Christian music fans. To explore customized packages and availability, please contact FrontGate Media for more information.

A Synergistic Partnership for Advertisers and Sponsors

The collaboration between Worship Road Radio and FrontGate Media offers sponsors unparalleled access to a new, passionate, dedicated and engaged Christian audience; a unique opportunity to connect with listeners in meaningful ways that includes engaging with a niche audience passionate about
Christian music and values with a trusted and respected Christian media outlet, providing Multi-Platform Exposure across various channels, including live broadcasts, online streaming, and social media platforms.

Brands can sponsor specific programs or segments featuring music, books, movies, devotionals, entertainment, and more—going beyond standard commercial spots or radio reads to include integrated exposure across on-air content, digital platforms, and both virtual and in-person events, as well as full-page ads and tour promotions.

Scott A. Shuford, Chief Engagement Officer of FrontGate Media, commented on the partnership:
“Worship Road Radio is reshaping what’s possible in Christian broadcasting—not just through their interruption-free, music-focused format, but also by offering truly innovative partnership opportunities. In a time when traditional Christian radio can feel repetitive and limited, Worship Road offers a fresh, digital-first platform for meaningful brand engagement. Their forward-thinking approach makes them one of the most important additions to the faith-based media space today.”
________________________________________

About Worship Road Media Foundation

Based in Vancouver, BC, the non-profit Worship Road Media Foundation is committed to expanding the Christian music industry by creating greater opportunities for artists who are often overlooked by traditional Christian media, while also democratizing access to Christian music through new media platforms that reach underserved audiences across North America and beyond, building a global worship community where none previously existed.

Worship Road Radio is North America’s first fully digital, interruption-free Christian music station, dedicated to offering a non-stop soundtrack of spiritually rich Christian music. The station has already become the fastest-growing Christian radio station in America and Canada. Breakout magazine, with its circulation exceeding 160,000, provides Christian music fans with unprecedented access to new, emerging, and independent artists who create inspiring music. Learn more at www.WorshipRoad.com.

About FrontGate Media

FrontGate Media is an award-winning, full-service marketing agency and media group specializing in the Faith and Family audience. With over 7,500 campaigns and a powerful digital network, FrontGate offers expert services in public relations, advertising, media buying, social marketing, and content development. Their work has earned honors from the Internet Advertising Competition, the WebAwards, and the Emmy^® Awards. Visit: www.FrontGateMedia.com

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FrontGate Media
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MIAMI, FL, UNITED STATES, January 29, 2026 /EINPresswire.com/ — Antonella Ghonda — known on Instagram as @thenamesantonella — is turning the global fashion world on its head with a career that blends high‑glamour runways with a powerful mission: inclusivity. In just a few short years, the deaf model has walked in major fashion weeks from New York to Paris, Milan to Los Angeles, earning headline‑making moments and redefining what it means to succeed in an industry long criticized for exclusivity.

Ghonda’s journey reads like a fashion fairy tale — but it’s rooted in tenacity, ambition, and purpose. After early work with Latitude Talent and The Bureau modeling agencies that granted her VIP runway access and waived traditional casting requirements, Ghonda quickly graduated to the world’s biggest stages. Her resume now includes multiple appearances at New York Fashion Week, two Miami Swim Week showcases, and coveted spots on the runways of Milan and Paris — a rare feat for any model, and an extraordinary one for a deaf model breaking accessibility barriers at the highest levels of fashion.

As one fashion outlet put it, Ghonda is “a groundbreaking fashion model redefining accessibility and representation in the global fashion industry.” Her presence on international runways isn’t just symbolic; it’s a testament to her talent and a signal to global brands that inclusion is not optional — it’s the future.

Record‑Setting Runway Success and Industry Momentum

One of Ghonda’s most celebrated accomplishments is her back‑to‑back participation in both Paris Fashion Week and Milan Fashion Week within the same season — a logistical and professional achievement few models can claim. According to Ghonda, it was a casting director at Milan who recognized her potential immediately after her Paris runway debut, calling her “a star” and booking her on the spot.

“I walked for Milan and Paris just a week apart,” Ghonda recalls. “After finishing at Paris, the fashion casting director called me a star and immediately cast me for Milan. That moment validated everything I’ve worked for — and made clear that talent and presence can transcend barriers.”

That moment also marked a tipping point in the industry’s perception of what inclusivity can look like on major fashion platforms. Ghonda’s runways are not just showcases of style — they are cultural statements.

Vision 2026: More Runways, Greater Impact

Ghonda’s ambitions extend far beyond the catwalk. As she eyes the runway seasons of 2026 and beyond, her vision is both expansive and strategic: more prestigious designers, elite collaborations, and deeper cultural influence. With Vogue already featuring her story and her eyes set on brands like Dior, Ghonda is positioning herself as a juggernaut beacon of possibility.

“My plans for 2026 are extraordinarily vast,” she says. “I definitely plan on walking in even more fashion shows and working with more elite, prestigious A‑list fashion designers. I want to show the world that you can achieve your dreams simply by being yourself.”

Her goal of becoming the first deaf Victoria’s Secret Supermodel — a dream she has openly shared with Vogue — underscores the intersection of personal ambition and broader social change. In an industry where representation matters more than ever, Ghonda is staking her claim as both a trendsetter and a trailblazer.

Beyond Modeling: Building an Agency for Inclusivity

While her runway success is notable, Ghonda’s long‑term vision includes a broader impact on the fashion industry’s infrastructure itself. After accomplishing her modeling goals, she plans to launch her own modeling agency dedicated to advancing inclusivity — creating opportunities for underrepresented talents across abilities, backgrounds, and identities.

“I want to push inclusivity further,” Ghonda says. “I want to open doors for others who, like me, have often been told they don’t fit the industry’s narrow definitions of beauty. I want to redefine what success looks like in fashion.”

This entrepreneurial ambition positions Ghonda not just as a model, but as an industry strategist — someone who sees beyond seasonal collections and runway trends to the systems that shape fashion’s future.

A New Era of Fashion That Reflects the World

Antonella Ghonda’s story is more than a personal success narrative. It signals a shift in global fashion — one that embraces diversity not as a buzzword, but as a foundational value. Her rapid rise across fashion capitals and her mission‑driven goals reflect a broader movement toward accessibility, inclusivity, and representation on the world’s biggest stages.

As brands and audiences increasingly demand equitable representation, Ghonda stands at the forefront of that change — proving that fashion’s next chapter will look and feel different than its past. And for a new generation of talent watching from the sidelines, her message is clear: you belong here too.

Ashley Walker
NOW STRATEGIES
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NASHVILLE, TN, UNITED STATES, January 29, 2026 /EINPresswire.com/ — soundPUPPY announces the releases of RUNNING, the new powerful single from Ukrainian war refugee Vi Talli. RUNNING continues the rollout of Vi’s forthcoming debut album, NO TIME FOR PERFECTION, and follows her opening release, YOU DON’T KNOW ME.

Where YOU DON’T KNOW ME introduced an emotionally fearless break out new voice, RUNNING pushes Vi’s story into forward motion and momentum. Where YOU DON’T KNOW ME confronted the unknown and hopes of youth, RUNNING captures a decisive turning point so many face in their lives: the moment when staying still becomes impossible and choosing yourself means choosing movement.

“Running is about the moment you realize you simply can’t stay where you’ve been, no matter how familiar it feels,” Vi says. “It’s not just leaving. It’s reclaiming yourself.”

Raised among a family of musicians and performers, music became Vi’s first language and constant companion. In 2022, just as she was preparing to release her debut solo album in Ukraine, Russia’s invasion scuttled the release and forced her and her younger sister to flee their homeland. Finding refuge in France, Vi performed wherever she could, on streets, cafés and in small clubs, transforming loss into expression. Those experiences reshaped her, blending the emotional depth of her upbringing with the diverse musical influences of being on the road in countries far from home.

In late 2023 Vi took another highly unexpected leap: relocating to the United States due to a chance encounter. From Miami to Nashville and Los Angeles, Vi has now immersed herself in the American music scene, refining her voice, vision, and sense of self. RUNNING stands as a declaration within that journey.
Sonically, RUNNING is uplifting, determined and quietly beautiful. The track mirrors Vi’s real-life trajectory: resilience shaped by upheaval, and optimism earned through action rather than fantasy. There’s a sense of resolve in every note, capturing the clarity that comes when fear finally gives way to purpose.

NO TIME FOR PERFECTION marks Vi Talli’s debut album: modern, truly enjoyable music with sharp real-life edges, threaded with confidence, vulnerability, and forward drive at all costs. As the album unfolds, each release reveals another facet of Vi’s world —refined and built for the world stage.

Listen to ‘RUNNING’

Bee Adamic
Liberty Music PR
+44 1273 044268
email us here
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Delk Steps into the Country Music Scene with Hauntingly Powerful Debut

WOODLAND PARK, CO, UNITED STATES, January 29, 2026 /EINPresswire.com/ — The America’s Mountain Festival (AMF), scheduled for July 11, 2026 at Woodland Station, in downtown Woodland Park, announced today that country newcomer, Tyce Delk, will be joining the lineup at the music festival.

Born in Melrose, New Mexico and raised in Lubbock, Texas, Delk draws on his Western roots to craft a modern brand rooted deeply in Eastern New Mexico agriculture and tradition. Delk is a fourth-generation farmer, rancher, and musician whose soulful storytelling springs from a lifetime of wide-open skies and family heritage.

According to Delk’s press agent, his debut single, “Adaline,” is making waves. Released mid-July 2025, the song channels a blues-inflected country ballad vibe with emotional lyrics like “Let’s make up, don’t break up my heart, Adaline…”. “Adaline” has crossed a remarkable milestone – surpassing 1 million streams in under a week.

“We are very happy to book Tyce Delk for our 2026 line up,” said Derek Waggoner, AMF event producer and chief executive officer of the Tava investor group. “I believe his music will resonate with our town’s vibe.”

According to his bio, growing up amidst the rhythms of crops and cattle, and the melodies of swing-era music passed down through generations, Delk’s artistic identity is steeped in generational legacy.

Heather Burrows, AMF Director of Operations shared that, “We are excited for the opportunity to have a newcomer like Delk in our midst. People are going to love him!”

To volunteer for the event, contact the promoters at 719-445-9387 or via email at info@americasmountainfestival.com.

Vendor opportunities are available.: https://americasmountainfestival.com/vendors-26

Tickets for the America’s Mountain Festival are sale now.

SAVE THE DATE!
July 11, 2026 is the 2nd Annual America’s Mountain Festival in Woodland Park, CO presented by the America’s Mountain Festival and featuring a diverse lineup of Western/Red Dirt performers.

Follow us on FB for more details at https://www.facebook.com/americasmountainfestivalwp.

Check out our website at https://americasmountainfestival.com.

Michael Perini
America’s Mountain Festival
+1 719-651-5943
email us here
Visit us on social media:
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New Performer Announcement Tyce Delk

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